Desert Punk Volume 3
In a world surrounded by heat, sand and hate, one man stands alone. His wish is simply to be the best, the very best at what he does; which is anything – so long as it pays well enough. Desert Punk is a missionary, but not in the religious sense and in the post apocalyptic world he inhabits just trying to meet ends and survive is a daily challenge. With his new apprentice Kosuna in tow he’s starting to try and mend his battered reputation.
Various people sent his once perfect reputation into ruins, but in his mind the lead perpetrator of his downfall was Junko. With her ample assets and her ability to manipulate she’s managed to appear back on the scene with another job for Kanta. However, for the briefest of moment’s he’d learnt his lesson, until the figure for the job came into conversation. Within a few seconds he was on hand with his apprentice to help Junko help the richest man in the desert find some more hidden treasure.
This storyline manages to run across two episodes and is crucial to the storyline of Desert Punk, not only does it confirm that the world was once somewhat habitable but it also confirms that there was some form of huge disaster. Additionally it also manages to show that there are people who still want this new world, which is less than ideal, to have the same mistakes repeated – war. Of course there is double-dealing throughout these episodes and they only go to highlight the lengths that some people will go to survive. If this were a more serious anime it would be easy to discuss the morality of humanity; however the “right” thing is done and next episode puts Desert Punk back on crass humour track.
In the next episode involves the Desert Punk decides that Junko’s initial betrayal was far too much and manages to capture her and put her in an adult “Big Brother” style house. She wakes up to find that she has next to no clothes on, but is in an ample sized, but completely secure, apartment of sorts. The one thing she doesn’t know for certain, but suspects, is that Kanta is not only behind this but is actually watching her. Before long the episode takes a somewhat expected twist but leaves the viewer wanting more at the very end.
With kidnapping, implied masturbation and sexual scenes throughout the episode is so close to the verge of hentai it’s embarrassing this episode manages to take the show to an entirely new level. Of course, there is a degree of humour involved and Junko certainly gets her “just deserts” on Kanta but the actual content is more than simply risqué.
Kanta is left battered, in a physical sense and his reputation as well. After not really succeeding with Junko’s job, or with Junko everyone thinks that he’s a bit of a joke and money’s tight. A job appears to rescue a rich little girl from some kidnappers – he thinks this is a perfect job. Unfortunately Kanta and Kosuna don’t realise that this little girl is beyond demanding and arrogantly stupid. The kidnappers are far more advanced than he expected and the little girl doesn’t take too kindly to being rescued by an inept team or kidnapped either.
Throughout the episode Kanta is abused by this little girl and is pushed to his limits by her behaviour and the kidnappers. This episode is easily the most forgettable on the disc as it’s very bland. “Nasty rich girl wants to be rescued but doesn’t want to do anything” has been used in anime and in films from all over the world and it does very little to inspire enjoyment from a viewer. Not only that but the episode is easily the darkest in terms of palette and strange compression artefacts appear far too frequently. Fortunately the majority of the episodes are relatively free of these and the episode being so dark only highlights these further.
Not forgetting the extras, this time around there are some noteworthy extras to speak of, although for the most part they are irrelevant to the disc they are being placed on. A 19 minute feature called The Survival Game Course Part 1 which sees Misa Kikoden and Yamaken heading to a shop with Kanta not far behind to get some equipment for survival games and a short animated manga side-story that shows Sunabozu story with Japanese text and subtitles below. It’s only five minutes and lacking in content. But it’s great that we see some decent extras for once.
After a very poor outing from the second volume, Desert Punk has managed to not only redeem itself but lace itself in crude and dirty humour that is only suited for certain tastes.